The experimental world of speculative fiction is like a history of political economy. It explores topics like dystopias, post-scarcity, automation, and AI. But it doesn’t stop there!
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How does Australian author David Ireland’s last novel, The World Repair Video Game read as a literary exploration of ecofascism and, perhaps, the most powerful we have in Australian (and world?) literature. This blog outlines the contours of my most recent article that traces that argument, [...]
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The latest movie adaptation of Frank Herbert’s classic novel Dune, Dune: Part Two directed by Denis Villeneuve, has set truly intergalactic box office records, and been globally exalted by movie critics. Dune: Part Two has, of 24 March, hit over US$220 million in the United States domestic [...]
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My new book Class War is a literary history, but it is committed to literature as something more than a record of past events. With a textual archive comprising letters, slogans, songs, manifestoes, memoirs, and field manuals in addition to novels, poems, and other more obviously literary modes [...]
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Back in 2011, with a view to engaging students through different teaching methods, we launched a poetry competition on the core MA module "Theories and Concepts in International Relations" at the University of Nottingham. After all, Roland Bleiker has himself emphasised the role of the poetic [...]
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The Australian literary firmament recently lost a giant when David Ireland passed away at the age of 94. Ireland’s literary career, spanning the best part of fifty years, can essentially be broken into two halves. From his literary breakout in 1968 to the early 1980s, Ireland was very much the [...]
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Nivedita Majumdar’s book The World in a Grain of Sand: Postcolonial Literature and Radical Universalism promises to analyse postcolonial literature from a standpoint of radical universalism. In six of her seven chapters she fulfills this promise.
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It was both an honour and a delight to contribute to the Special Issue of Art & the Public Sphere edited by Ian Bruff and Mel Jordan. The focus on disrupting the relations between art, politics, and pedagogy provided a wonderful provocation to reconsider and critique some of my own teaching [...]
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